*shipping and sales tax ARE included in price.
Archival digital pigment print on Canon Premium Fine Art Rough
Edition of 20 | Signed and numbered by the artist
Image: 16 × 20 in | Sheet: 17 × 22 in
Original painting: 30 × 36 inches, oil on canvas, 2024
This is a limited release print and will be available until sold out. Please allow up to 6 weeks for shipping and handling via UPS. Please ensure that you include your email address and phone number with your order.
Each print will include a signed and dated Certificate of Authenticity.
The Coyote Series reimagines a central figure in Navajo/Diné storytelling, the coyote, as a contemporary presence navigating the spaces between culture and nature, chaos and order. For the Navajo/Diné, coyotes embody transgressive power, a being whose actions reveal and reflect the moral and social dynamics of the world around them.
In Death of the Curator No. 4, the Coyote inhabits a man-made environment, a vacant interior shaped by human intention but stripped of human presence. These settings become stages where Coyote reclaims authorship, inhabiting and unsettling the frameworks of art, power, and representation.
The series began in 2008, during a time of social and economic upheaval, when Coyote emerged as a metaphor for instability and transformation. Today, these paintings continue to explore the ongoing dialogue between human and nonhuman worlds, where nature’s determined creature persists at the edge of civilization, challenging its assumptions and returning its gaze.
*shipping and sales tax ARE included in price.
Archival digital pigment print on Canon Premium Fine Art Rough
Edition of 20 | Signed and numbered by the artist
Image: 16 × 20 in | Sheet: 17 × 22 in
Original painting: 30 × 36 inches, oil on canvas, 2024
This is a limited release print and will be available until sold out. Please allow up to 6 weeks for shipping and handling via UPS. Please ensure that you include your email address and phone number with your order.
Each print will include a signed and dated Certificate of Authenticity.
The Coyote Series reimagines a central figure in Navajo/Diné storytelling, the coyote, as a contemporary presence navigating the spaces between culture and nature, chaos and order. For the Navajo/Diné, coyotes embody transgressive power, a being whose actions reveal and reflect the moral and social dynamics of the world around them.
In Death of the Curator No. 4, the Coyote inhabits a man-made environment, a vacant interior shaped by human intention but stripped of human presence. These settings become stages where Coyote reclaims authorship, inhabiting and unsettling the frameworks of art, power, and representation.
The series began in 2008, during a time of social and economic upheaval, when Coyote emerged as a metaphor for instability and transformation. Today, these paintings continue to explore the ongoing dialogue between human and nonhuman worlds, where nature’s determined creature persists at the edge of civilization, challenging its assumptions and returning its gaze.
